　　节目重点围绕艺人艺能的全面深度挖掘、精品表演秀的创意呈现、最具热点的社会性话题输出等方面进行设计，开创剧综联动新玩法。何炅担任主持人，檀健次、李雪琴、秦霄贤、王鹤棣、丁程鑫、杨迪、吴泽林等担任阶段性常驻嘉宾，每期会邀请几位飞行嘉宾参与录制，包括各行各业的代表以及不同领域的艺术团体。节目内容由访谈、互动、秀等环节构成，是一个集观众表达、主流表达、娱乐表达三位一体的国民综艺。

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　　本纪录片将聚焦球王贝利从1958年到1970年12年的辉煌职业生涯，马里奥·扎加洛、加尔·文图拉·菲里奥、罗伯托·里维利诺等球星也将出镜接受访问

简介：　　电影展现了抗美援朝战争历时2年零9个月后胜利结束的峥嵘历程。战争激发了全国人民热火朝天的生产建设积极性，前方和后方相互激励、共同推进。“中国人民志愿军”成为坚强、不屈、勇敢的代名词，永远铭刻于世界战史。

　　聽不見的世界只有寂靜無聲嗎？《明晴學園的寂樂青春》記錄的明晴學園位於東京品川區、創立於2008年，崇尚教育的多元化，不強迫學童小小年紀就去融入所謂的「主流社會」，而是鼓勵他們「聽不見並不會低人一等，只是體驗一個不同的世界」，所以在這邊，不走傳統啟聰學校以口語和讀唇教學的路線，而是以手語來教學。
　　在片中，幼稚園的小女生，透過手語表達她想要的各種動物貼紙。在老師的理解下，她拿到了她想要的貼紙，她從中學會做選擇、學會表達需求，也感受到被老師理解；小四學生們透過手語啟發對大自然的讚賞，用手語歌詠春天的美好感受，小手飛舞加上豐沛表情，也成了一行行美麗的詩；小六的學生，透過手語設計寫信活動，表達對畢業班導師的感謝，讓老師忍不住感動落淚；國中女生則在午餐時，調皮地討論要給老師一個小小的惡作劇。

主演：杰伦·布朗,凯文·杜兰特,谢伊·吉尔杰斯-亚历山大,泰里斯·哈利伯顿,詹姆斯·哈登

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《先发五虎》回归，第 2 季迎来激动人心的全新 NBA 明星阵容：波士顿凯尔特人队的杰伦·布朗、菲尼克斯太阳队的凯文·杜兰特、俄克拉荷马城雷霆队的谢伊·吉尔杰斯-亚历山大、印第安纳步行者队伍的泰瑞斯·哈利伯顿和洛杉矶快船队的詹姆斯·哈登。

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主演：丹泽尔·华盛顿,罗伯特·雷德福,凯特·玛拉,安东尼·福奎阿,达丝莎·坡兰科,萨米拉·威利,肖恩·利维,德里克·塞西尔,鲍尔·威利蒙,Ted Sarandos,Reed Hastings,比尔·麦克尼柯,Mitch Lowe,Dawn Chmielewski,本·库珀,David Griffin,Didier Allouch,Gerrad Hall,Guillermo de Mulder,Heidi Nyburg

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　　本片基于吉娜·基廷的书《网飞传奇》(Netflixed: The Epic Battle for America's Eyeballs)改编。从1997年诞生至今，Netflix的发展过程，简直就是一部跌宕起伏的商战片。这本书中，会给你一个细致入微的还原。

　　在全球最繁华的都市之一纽约市，有这样一片生机盎然的绿地，以这片绿地为桥梁，广袤的天空和大地、繁华的都市与野外自然、自由的野生鸟类和城市居民，得以密切的相连——而这里，就是中央公园。得益于中央公园得天独厚的地理位置，以及城市规划者精心的自然保护，每年有上百种鸟类在迁徙途中，来到中央公园小驻，这里也因此成为观鸟爱好者聚集的圣地。本片追随七位中央公园观鸟爱好者的步伐，共同进入这个隐藏在大都市之下的自然世界，体会他们与这些活泼灵动的小鸟、这片生机勃勃的土地之间的深刻情感共鸣。

《密室大逃脱8 大神版》是芒果TV超大型密室逃脱真人秀《密室大逃脱》的官方定制衍生节目。节目邀请大神玩家进入全封闭的未知密室，根据线索进行推理解密，开启全新空间，还原故事背景，直至全员逃脱。

　　Massive machines require engineering extremes.
　　The massive man-made satellite, commonly known as the International Space Station, hurtling around the Earth at 27,600 km an hour, has been a temporary home for humans for the last 20 years. The biggest land vehicle on earth, a bucket excavator titled Bagger 293, that can move 240,000 cubic meters of dirt each day. Innovation has always meant building bigger, faster, taller, longer and stronger than anything that came before. We’ve seen them in dramatic visual fashion. But how do these actually work? What sets each machine apart. What big ideas drove its evolution and what limitations did this machine overcome? What forces was it built to withstand and where is the breaking point? Using CGI and expert insights, we ‘strip down’ the design of some of the world’s unique colossal machines and reveal mechanical secrets that not only made them work, but also changed the world in a big way!
　　Each episode explores four incredible machines, linked thematically. From sea and space faring designs, to mega airborne, mining and industrial machines, we’ll break down what they can do as well as key inner mechanics and materials that make it all possible. Dynamic archival footage featuring; slow motion, aerials, and time-lapses get us past the ‘caution’ tape and up close and personal with these compound monsters. CGI provides breakouts and blueprints and a look at hidden mechanisms. Adding expertise of structural, mechanical, chemical and forensic engineers to help reveal what’s at stake when these colossal constructions are put work, and how all the pieces come together to make a big impact.
　　EPISODES:
　　S1 E1 Sea Monsters
　　S1 E2 Astronomical Engineering
　　S1 E3 There Be Dragons
　　S1 E4 Sub-Zero Supermachines
　　S1 E5 Earth Biters
　　S1 E6 Mammoth Manufacturing
　　

　　James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?