电影 欧洲的某个地方

欧洲的某个地方

影片信息

  • 片名:欧洲的某个地方
  • 状态:HD中字
  • 主演:Artúr/Somlay/Miklós/Gábor/Zsuzsa/Bánki/
  • 导演:Radványi/Géza/
  • 年份:1948
  • 地区:其它
  • 类型:剧情/
  • 时长:内详
  • 上映:未知
  • 语言:其它
  • 更新:2025-08-12 02:07
  • 简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
  • 关注公众号观影不迷路

  • 扫一扫用手机访问

 立即播放  线路①

选择来源

  • 线路①
2.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
746次评分
2.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
746次评分
给影片打分 《欧洲的某个地方》
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
我也要给影片打分

扫一扫用手机访问

首页 电影 剧情片 欧洲的某个地方

播放列表

 当前资源来源线路① - 【每日更新 超清秒播】
 倒序

剧情简介

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

为你推荐

 换一换
  • 更新第22集
    1.0 施潮锦子/格桑//梁耶雯/
  • 更新TC
    7.0 金城武/刘青云/梁家辉/古天乐/高圆圆/杜德伟/鲍起静/林俊贤/卢冠廷/姜珮瑶/卫诗雅/甘国亮/卢海鹏/刘永/吴嘉龙/李元霸/任贤齐/夏韶声/王德顺/程东/狼森/尼克·福特/
  • 更新HD
    3.0 王宏武/张启璇/
  • 更新HD
    1.0 米歇尔·道克瑞/休·博纳维尔/伊丽莎白·麦戈文/劳拉·卡尔迈克尔/吉姆·卡特/布兰登·柯伊尔/琼安·弗洛加特/保罗·吉亚玛提/拉奎尔·卡西迪/凯文·道尔/迈克尔·福克斯/哈利·海顿-佩顿/罗伯·詹姆斯-克里尔/艾伦·里奇/菲利斯·洛根/乔莉·理查德森/亚历桑德罗·尼沃拉/西蒙·拉塞尔·比尔/阿尔蒂·佛鲁山/多米尼克·韦斯特/佩内洛普·威尔顿/莱斯利·尼科尔/索菲/麦希拉/道格拉斯·瑞斯/保罗·柯普雷/
  • 更新HD
    3.0 奥斯汀·巴特勒/雷吉娜·金/佐伊·克罗维兹/马特·史密斯/列维·施瑞博尔/文森特·多诺费奥/格里芬·邓恩/坏痞兔/卡罗尔·凯恩/德德哈罗·伍恩-阿乙-太任/尤里·科洛科利尼科夫/格雷格·贝洛/McKinzie/J./Scott/威尔·伯瑞/比安卡·盖兹/尼基塔·库库什金/Action/Bronson/Deepti/Menon/奥列格·亚历山大罗维奇/RJ/Higton/Nick/Brennan/
  • 更新HD
    6.0 劳尔·卡拉米/
  • 更新HD
    4.0 卡梅隆·道格拉斯/迈克尔·道格拉斯/大卫·摩斯/迈克尔·斯塔尔-大卫/沃克·斯科贝尔/
  • 更新HD
    2.0 达米安·勃纳尔/让娜·巴利巴尔/塞德里克·阿皮耶托/安东尼娅·布雷西/谢里夫·安杜拉/瓦萨尼·恩巴雷克/Serge/Postigo/Luu-Ly/Réveille/埃里克·莱因哈特/弗朗索瓦·比内尔/Mohamed/Brikat/Isma?l/Sy/Savané/纳马·普雷斯/Djibril/Pavadé/Valentina/Nesi/席琳·赛莱/Alexandre/Bado/Kamelia/Pariss/何云平/Ga?tan/Leleu/
  • 更新HD
    6.0 Samia/Hilmi/Jef/Jacobs/冈特·杜瑞特/克里斯特尔·科尼尔/英迪亚·海尔/姆本杜·乔利/克莱尔·博德森/Eva/Zingaro/Adrienne/D'Anna/Mathilde/Legrand/Hélène/Cattelain/Selma/Alaoui/Janaina/Halloy/艾尔莎·霍本/Lucie/Laruelle/法布里齐奥·隆吉奥内/Babette/Verbeek/
  • 更新HD
    2.0 山姆·克拉弗林/苏琪·沃特豪斯/伯恩·戈曼/埃迪·马森/罗里·金尼尔/本·迪洛韦/Tienne/Simon/
  • 更新HD
    8.0 伊娃·维克托/娜奥米·阿基/路易斯·坎瑟米/凯莉·麦科马克/卢卡斯·赫奇斯/约翰·卡洛·林奇/海缇安·朴/E·R·费特马斯特/Cody/Reiss/乔丹·门多萨/Anabel/Graetz/Jonny/Myles/Danny/Diaz/Marc/Carver/利兹·毕晓普/Natalie/Rotter-Laitman/Francesca/D'Uva/Alison/Wachtler/戴维·J·库蒂斯/Priscilla/Manning/
  • 更新HD
    4.0 艾玛·麦基/薇姬·克里普斯/费奥纳·肖/文森特·佩雷斯/雅恩·盖尔/尤尔格斯·钱图拉斯/科琳娜·古格利/瓦斯利·特斯格里斯塔利斯/Paris/Thomopoulos/埃莱特拉·萨里/德尼娅·米梅里尼/Dimitris/Oikonomidis/Kostas/Tatarakis/
  • 更新HD
    5.0 安努舒卡·谢蒂/拉姆亚·克里希南/贾加帕蒂·巴布/约翰·维杰/维克拉姆·帕布/Larissa/Bonesi/VTV/Ganesh/拉文达·维贾伊/Chaitanya/Rao/Sudhasri/Madhusmita/Raghav/Rudra/Mulpuru/Devika/Priyadarshini/
  • 更新TC
    3.0 莱昂纳多·迪卡普里奥/西恩·潘/本尼西奥·德尔·托罗/雷吉娜·赫尔/缇雅娜·泰勒/蔡斯·英菲尼迪/伍德·哈里斯/阿拉娜·哈伊姆/D·W·莫菲特/约翰·胡热那克/莎娜·麦克黑尔/布伦达·洛伦娜·加西亚/特雷西·托德/吉姆·安德森/博格丹·舒米拉斯/约翰·德马卡斯/马特·斯波尔尼克/贾斯汀·S·麦克达维特/杰克·特劳特/罗布·戈尔/
  • 更新HD
    3.0 伊莫琴·普茨/布雷特·戈德斯坦/Rebecca/Osias/Kadiesha/Belgrave/扎威·阿什顿/史蒂芬·克里/Alara-Star/Khan/杰米·朗兰兹/Tariq/Rasheed/Nathaniel/Christian/Lizzy/Mansfield/珍娜·科尔曼/纳蒂亚·阿尔比娜/列娃·安德烈瓦伊达/Indi/Chowdhury/伊娃·马格亚/
  • 更新HD
    2.0 玛丽安娜·迪·吉拉莫/日尔曼·帕拉西奥斯/吉列尔莫·普宁/奥斯马·努涅斯/玛丽安娜·安希列里/
  • 更新HD
    7.0 Kenneth/M./Christensen/夏洛特·菲奇/Arian/Kashef/
  • 更新HD
    3.0 马吉德/
  • 更新TCV4
    1.0 姜武/王志文/李乃文/林子烨/孙茜/冯文娟/温碧霞/李善玉/张琪/李彧/乌兰托雅·朵/平田康之/小野巽/佐藤匠/徐光宇/
  • 更新HD
    4.0 Florentina/Holzinger/Celina/Sarhan/Andria/Tayeh/Nagham/Abu/Baker/Omar/AlMajali/
  • 更新HD
    9.0 盖尔米尼·格莱姆扎伊特/阿格尼·卡克泰特/吉德里乌斯·基埃拉/保利乌斯·马尔克维丘斯/
  • 更新TC
    2.0 玛格特·罗比/科林·法瑞尔/凯文·克莱恩/菲比·沃勒-布里奇/哈米什·林克莱特/莉莉·拉贝/比利·马格努森/尤维·赫希特/谢尔比·西蒙斯/朱迪·特纳-史密斯/莎拉·加顿/露西·托马斯/布兰登·佩利亚/克洛伊·伊斯特/詹妮弗·格兰特/贾森·克拉维茨/丹妮尔·肯尼迪/米歇尔·毛/卡拉翰·斯克格曼/詹妮弗·伍兹/布鲁克·马伦/
  • 更新HD
    6.0 莉莉·莱因哈特/丹妮拉·曼希沃/杰瑞米·安·琼斯/乔什·怀特豪斯/蒂姆·/普莱斯特/克里斯蒂安娜·保罗/乔尔·弗莱/Sean/O./McGuiness/菲丝·德拉尼/马克·赖德/Chris/Ginesi/麦克斯·克罗斯/列维·马蒂/乔普林·西伯顿/Alex/Lee/Keanu/Visscher/Paul/Cless/Sonja/Joanne/Geller/Conny/Brandt/Christian/Braun/
  • 更新HD
    7.0 塞尔希·洛佩斯/布鲁诺·努涅斯/斯蒂芬妮娅·嘉达/约书亚·利亚姆·亨德森/理查德·贝拉米/托宁·詹维耶/杰德·欧基德/艾哈迈德·阿布/阿卜德利拉·马德拉里/穆罕默德·马德拉里/
  • 更新HD
    5.0 黛西·帕罗齐·希基/莉安·约翰逊/詹姆斯·塔克特/
  • 更新HD
    5.0 夏洛特·柯克/安娜·玛丽亚·西克拉克/扎克·麦克格温/茱丽叶戈列蒂/琴祺雅·蒙内亚勒/Harvey/Dean/
  • 更新全集
    8.0 杨地/李百祥/周建许/晁坤/
  • 更新全集
    9.0 刘德华/吴倩莲/吴孟达/朱铁和/刘江/黄光亮/林聪/
  • 更新HD
    4.0 阿尔瓦罗·莫特/奥马尔·查帕罗/霍拉西欧·加西亚·罗哈斯/
  • 更新HD
    4.0 朱莉娅·德·努内兹/林哲熹/朱利安·德·圣·让/克洛维斯·科尔尼亚克/路易多·德·朗克桑/安娜·阿祖雷/Jay/Huang/Jiajia/Chang/Antoine/Pelletier/马蒂亚斯·范·卡切/Maximilien/Seweryn/Erik/Hervé-Cara?s/Rita/Limon-Duparcmeur/安德烈·瑟韦林/Finn/Wu/Sandrine/Bodenes/Céline/Le/Jeloux/Mathéo/Rolland/Lucie/Royet/Lionel/Monier/

最新资讯

更多

评论

共 0 条评论