庇护

　　大学毕业生天翔（张学友 饰）出身贫寒，其父猜叔（董骠 饰）靠在榕树头卖唱养活天翔以及年幼的一子一女，天翔不愿父亲在市场唱黄色小曲挣钱，但无奈工资微薄，只得在同事的侧目中忍受。天翔在工作中踏实肯干，在好友大傻（刘青云 饰）的帮助下为公司立下功劳，同时大老板的妹妹比蒂（周海媚 饰）对天翔也颇为有意，二人感情渐浓之际，大老板却因天翔一家的地位低下而中断了这段姻缘，天翔只得从相邻的舞女周枫（张曼玉 饰）处获得情感慰藉。失去工作的天翔加入黑道团伙，与大傻一起同另一势力高佬森连番拼杀，高佬森一伙将大傻和周枫害死，天翔向高佬森寻仇之际，猜叔为保全儿子挺身而出……

　　节子（田中绢代 饰）和满里子（高峰秀子 饰）是情同手足的姐妹，和父亲过着相依为命的生活，虽然个性迥然不同，但姐妹两人之间的感情一直十分要好。一晃眼数十年过去，节子和满里子都出落成为了亭亭玉立的大家闺秀，之后，节子嫁给了名为三村的男子，然而经济的萧条令三村失去了工作，整日 在家无所事事，只能借酒消愁。整个家庭的重担落在了节子的肩上。
　　某日，节子的初恋情人从国外学成归来，并和节子取得了联系。婚姻生活的枯燥和不满令节子有些心猿意马。得知了节子的心思，向来奔放新潮的满里子鼓励姐姐离开三村，寻找属于自己的幸福，可就在节子下定决心之际，却传来了三村的死讯。

　　克拉拉（麦肯芝·弗依 Mackenzie Foy 饰）的母亲在她很小的时候就离开了她，留给女儿的唯一一样东西是装有无价之宝的盒子。德罗赛尔梅耶（摩根·弗里曼 Morgan Freeman 饰）是克拉拉的教父，在他举办的一场聚会上，一根神秘的金线指引着克拉拉找到了可以打开盒子的钥匙，然而，克拉拉却因此而被传送到了一个神秘的平行世界之中。
　　这是一个克拉拉的母亲一手打造的魔法世界，四位国王分别掌管着他们的国度，而克拉拉梦寐以求的钥匙，就掌握在其中最邪恶的一位——姜母女王（海伦·米伦 Helen Mirren 饰）的手上，她的存在让这个本来和平繁盛的世界逐渐走向分崩离析。克拉拉必须和她在这里结识的善良朋友们合作，夺回钥匙，粉碎姜母女王的统治和野心。

　　孩子，他们是一群成长在大山深处的雏鸟，他们用清泉般的双眼审视着这个世界，憧憬着又敏感着。他们渴望得到这个世界的认可，进而振翅高飞，却不得不先学会躲避现实世界的伤害，以免折断还未丰满的彩色羽毛。
　　这群孩子有一个共同的妈妈，一位衣着朴素的山村教师钟文花，她的教室和宿舍成为了这群小鸟最温暖的避风港，依偎在她的身边，世界会变得安静变得瑰丽。
　　男孩雨生和女孩小珍原本是一对青梅竹马的玩伴，各自家庭的变故，让他们成了钟妈妈羽翼下渴求呵护的小鸟，孩童世界的天真与轻信，成人世界的狡猾与冷漠，让两个孩子原本亲密的世界渐行渐远。面对这样的情况，钟文花用爱唤醒了周围的众人，让两位倍遭冷遇的孩子重又获得温暖，重拾了积极进取的信心，当两位孩童再度携手奔向校园的时候，山谷中回荡的是爱的钟声……

　　1993年，山田洋次導演的《學校》在日本本土引起極大迴響，不僅贏得好評如潮，更在各大頒獎禮中獨領風騷。本片乃日本庶民劇大導演山田洋次「學校」系列的第三集，今次的舞台設於職業訓練學校。十年前，小島紗和子的丈夫因過勞而去逝，遺下了一個患有自閉症的兒子富美男，紗和子獨力將他養大。當她被公司解僱後，為取得新工作，她唯有進行職業再培訓，到職業訓練學校進修，希望可以過新生活。在學校裡，紗和子認識了剛被一所大企業解僱的高野周吉。某日，他寄了一本書給她，開始了二人戀情的第一步。

　　Synopsis
　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.
　　Notes
　　"A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea."
　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.
　　Afterword:
　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.

　　一个年轻的和一个即将结束演艺生涯的女演员，各自用各自的爱与虐待方式挑逗老导演，而导演的权利是可以支配她们是否还能在舞台上存在……