小活佛

 北京某研究院的地下室里，住着一群尚无分房资格的大龄青年。朱一丹好不容易争取到一间小屋——与推销员罗大侠合住一个单元，成为青年中第一个即将“爬上地面”的幸运儿。这天，他的女朋友尹澜澜和初有成、孙晓琪等伙伴设宴为他送行。席间，青年们从房管处的老曹口中获悉，明天将要分配一批住房，但前提是必须持有结婚证。正当大家为朱一丹和尹澜澜庆幸时，他们却向众人宣布决定分手。为了把朱一丹挤出去，罗大侠和妻子小枫在门厅里设置了许多“路障”；还用面糊堵住了朱一丹小屋的锁眼，害得乔迁的朱一丹在门厅睡了一夜。青年们为了分到房子纷纷行动起来。尹澜澜也结交了新的男朋友——马自达。谁知，马自达一见到孙晓琪立刻转了向，尹澜澜痛苦万分。一天，小混混丁三趁大侠不在家，企图调戏小枫，被朱一丹赶走，小枫对朱十分感激。一个偶然的机会，朱一丹与初有成的表妹晶晶相遇，二人一见钟情。逛商店时，晶晶看中了一套时装，朱一丹在付钱时才尴尬地发现自己看错了价码，囊中款项根本不够。一天，小枫在洗澡时煤气中毒，朱一丹把她抱出浴室做人工呼吸，恰被出差归来的大侠撞见。大侠不问青红皂白，对朱一丹大打出手，小枫一气之下回了娘家。在朱一丹的劝导下，夫妻二人和好如初。晶晶进了外企，并被派到南方任职。朱一丹买下那套时装，赶到机场为她送行，却意外地得到晶晶要与他分手的消息。但朱一丹并没有被痛苦压垮，很快振作了起来。为了能够分到住房，照顾瘫痪的老父亲，尹澜澜情急之下，竟决定嫁给年愈50的单身汉老曹。为了帮助尹澜澜，朱一丹决定跟她“假结婚”。洞房花烛之时，这一对新人旧情萌发假戏成真。

　　这部由HBO自制的电影是「汉堡高地」导演约翰艾文的又一战争写实影片，背景设在第二次世界大战，血腥的贺根森林之役。在整排的袍泽被敌人歼灭后，唯一幸存的二等兵大卫曼宁（朗爱德 饰，「彗星撞地球」、「豪情四兄弟」）被升为士官，由于承受不了带领新兵的压力，曼宁以精神不适任的理由申请退役，然而曼宁的指挥官（马丁唐纳文 饰，「她和他和他们之间」）却向他提出条件只要带兵攻下一座德军的哨站，他就将曼宁的退役申请呈报上去。但在残酷无情的战争中，重要的并非胜利，而是如何自战场上生还。当提起第二次世界大战的史诗电影时，「拯救雷恩大兵」及「红色警戒」或许已抢尽锋芒，但该片绝对是一部不容错过且毫不逊色的最佳战争写实电影

　　岩狮市公安局刑侦大队民警张文的养父大学教授林远洋被发现死在家中。张文黯然离开了市公安局，企图以自我放逐的方式化解巨大的悲痛。一年后，为了帮助新到任的李子铭警官快速破获一宗离奇的“水产店故意杀人案”，张文被公安局副局长苏南山请回了刑侦大队。出乎张文和所有人意料之外的是这一起案子牵扯出的嫌疑人王大龙正是林远洋过去的学生。就在李子铭率队想要对王大龙进行拘传时，王大龙却被发现离奇身亡。
　　随着调查的推进，种种线索浮出水面，凶手似乎刻意想要诱导张文等人进入一个布置已久的迷局。过去和现在连接到了一起，背后的真凶呼之欲出，众人逐渐走近真相，殊不知一场更大的危机悄然而至。

　　自從開始上天主教慕道課以來，恪守教義的少女瑪麗亞便遠離了流行文化，抵抗撒旦化身的種種誘惑。長大之後，嚴厲的母親仍以絕對威權的方式，約束她的生活起居與交友狀況。虔誠的瑪麗亞不但努力達到要求，為了讓罹患自閉症的弟弟能開口說話，她暗自做了一個危險的決定。
　　《少女的歧禱》以工整完美的形式，呼應片中角色的極端行徑。全片十四則標題，借典自耶穌赴難的章回短篇；十四段長鏡頭，築架出儀式般的嚴謹結構，再再讓人聯想起一九五○年羅塞里尼執導的《聖法蘭西斯之花》。不同的是，本片看似冷靜側寫瑪麗亞追求信仰而犧牲奉獻的心路歷程，實則以強烈批判性的諷喻口吻，探討極端的信仰狂熱如何成為威權高壓統治的變種，魄力驚人。

　　When Ramona meets the charismatic Bruno on one of her strolls through the city, it never occurs to her that she might encounter him again the following day. Will an innocent flirtation get in the way of her career dreams and the perfectly good relationship she has with her boyfriend? A refreshing romantic comedy that sets the scene for the immortal feud between sense and sensibility.

　　A chilling mystery thriller, blessed by stirring imagination and striking acting performances, especially by child actors. Among witty scares invented by the director herself, we get closer to untreatable true sins of the Catholic religion. Skilfully raised fantasies about exorcism, possession and resurrection slowly transform into breath-taking horror, which may not leave your thoughts for a long time after the screening.
　　A devotedly faithful family mourns their elder son Han-byul. Both parents sincerely believe that it is the hand of good lord Jesus that tests them with painful suffering. The reverend advises adopting a child with special needs and sharing all the love they still have in their wounded hearts after the tragic accident. So the grieving parents embrace visually impaired charismatic Isaac, who quickly finds his place in their spacious two-storey house. The acutely sensitive boy counts that the kind family still consists of seven members, and witnesses how the crying Han-byul constantly visits them. Confused by incredible revelations, the mother starts to notice previously unseen guiding signs.
　　Guilt confronts sanity. Grief transmits into fear. Doubts bring home obsession. New clues expose hurtful lies. Divine faith opens all gates to powerful devilish manipulations. The prolonged process of healing disperses into drowned secrets. How long can you believe something whispered by someone who is not entirely trustworthy? How far will a loving mother go to protect her adopted child who suddenly uncovers not-so-pleasant truths?

　　It is a great film by a great director.Kira Muratova has never been given her due in the Soviet and post-Soviet Russia.In the "Long Good Bye" she depicts a seemingly banal story of a jealous and possessive mother (brilliantly acted by Zinaida Sharko) and her poor aloof and lonely son (the only cinematic role by the talented O. Vladimirsky). The story - which is nothing extraordinary in itself - grows into the wonderful and frightening analysis of alienation between genders and generations on the background of the even more frighteningly bleak and dehumanized Soviet reality.Kira Muratova shows the tiny details of everyday Soviet life,and, again , banal as they are ,they are a hair-raising horror.The dialogue is deliberately laconic and void of any sense, showing the ever-growing people's inability to communicate and understand each other.The sound track ( by another under-estimated talent, Oleg Karavaichuk)adds to the atmosphere of hopeless and meaningless existence.Of course,Sasha (the name of the protagonist),will leave his despotic ( but loving!) mother sooner or later, but where for? (c) 

　　简介：
　　黑道枭雄沙无忌之独子沙亮无恶不作，铁捕头南宫啸将他擒捉，依法斩首。沙无忌遭此段根之恨，不知反省，反而嘱其手下总管对南宫家人，施以报复……
　　导演：林福地
　　副导演：徐锦文
　　剪辑：林善良
　　音乐：周福良
　　编剧：古龙
　　摄影：密兆新
　　美术：顾毅
　　武术指导：梁少松
　　出品：台联影业有限公司 香港欣欣影业公司
　　摄制：国松有限公司 香港欣欣影业公司
　　主演：
　　岳華
　　陳星
　　潘迎紫
　　聞江龍
　　尹寶蓮
　　高飛
　　金石

　　在首都北京，有一个特殊的群体，他们被群众亲切地称为“小巷管家”。 “小巷管家”不是什么领导，但心里装的都是街坊四邻家门口的事，诸如邻里纠纷、占道停车、私搭乱建、公厕改造、环境提升以及照顾空巢老人等诸多和老百姓直接相关的难题。国风社区的赵建国就是首都数万名“小巷管家”中的一员，他凭着内心对党的无限忠诚与热爱，在社区党委的带领下，学习并运用“街乡吹哨、部门报到”制度，一件一件解决了困扰街坊四邻的诸多老大难问题，既为居民带来了实实在在的获得感，也向新中国成立七十周年献上一份基层党员的倾情厚礼。

　　工藤新一（小栗旬）这晚收到挑战书，称将有他的同学在修学旅行的船上被绑架，若新一不能保护好同学，须让出“高中生名侦探”的称号。新一本对修学旅行没兴趣，这封信令他次日赶到学校与小兰（黒川智花）、园子（岩佐真悠子）及班里另外约30名同学会合。
　　众人刚登上旅行用船，新一即把目光投向代理班主任北岛慎吾（ふかわりょう）、导游西田麻衣（水川あさみ）、船长东邦夫（松重丰）及船员南田恭介（西村和彦）等人，时刻保持着警惕。但园子仍神不知鬼不觉失踪。着手调查尚无头绪，他再接绑架预告电话。