幽会百科

1949年來台的老兵們，身上帶著來自戰爭的記憶與創傷，在台成家立業的榮民們，憶起當年成為軍人、參加戰役、遷徙來台、落地生根的思鄉情節，也親身經歷過生離死別、離鄉背井、顛沛流離。在大時代環境變遷下，高雄左營祥和里劉德文里長逐漸與獨居榮民結緣，更步上一條護送已故老榮民返鄉的路程，一窺榮民們面對戰爭、療癒創傷的一生。
　　本片以兩條故事線交錯敘事，從老榮民們的現身說法，拼湊遷徙來台的生活故事，到高雄左營祥和里里長護送榮民骨灰返鄉，受託尋找失聯親友的動人緣分，揭示戰爭對個人和社會的深遠影響。本片由「全國眷村文化保存聯盟」理事長謝小韞監製，「南努客音像工作室」主持人吳平海導演製作，張夢瑞編劇、鍾喬作詞，主題曲〈撕裂〉更由原住民歌手胡德夫演唱，貫穿全片，感人甚深。

　　地球是我们赖以生存的家，尽管对它并不陌生，但我们却很难了解它的全貌。本片通过在外太空的宇航员从飞行器上观测地球所拍摄的珍贵画面，记录了地球上的自然变化、地理地貌和大气层内发生的各种现象……让人吃惊的是从外太空看到的地球与我们的想象相关甚远，让我们随着摄像镜头一同感受神奇、瑰丽的地球村吧。

跟随六个人参加2022年不可征服运动会，这是一项由哈里王子创立的全球性活动，旨在帮助受伤的军人通过体育康复。

这是一曲人类文明发展的挽歌，从黎巴嫩的巴尔贝克神庙，到乌克兰被战争摧毁的废墟，再到2023年土耳其7.8级地震的遗迹。俄罗斯电影大师维克多·科萨科夫斯基将镜头对准人类社会的建筑基石，他与意大利建筑师米歇尔·德·卢基共同探讨文明兴衰，当代文明究竟该怎样建设？影片新颖的视角带来前所未有的视觉与情感冲击，入围第74届柏林国际电影节主竞赛单元。导演曾担任第22届上海国际电影节纪录片单元评委会主席。

　　Terminally ill Janette wants to die with dignity, but it’s not possible in the UK, where she lives. She therefore decides for assisted suicide. She must plan her journey to Switzerland before her rapidly advancing disease makes it impossible. The question of whether we own our own lives or whether they own us is the primary impetus behind this documentary portrait, which shows that death can be good despite the sadness that always accompanies it. The film, with dramatically suggestive camera work, uses feature film techniques, and engaging characters and stories of their loved ones are interwoven with Janette’s story.
　　"Let's talk about death because we will all die someday. The question is: can we choose when and how? I think we should." T. Krupa

　　Ancient Worlds is about people and places, politics and economics, art and war, trade and technology, but above all it’s the story of the painful birth and difficult growth of a radical idea first tried and tested some six thousand years ago, and which we are still struggling with today; civilisation. Civilisation has not come easily; it’s something we’ve had to fight hard to achieve, and even harder to maintain, and the greatest threats to it have come from our own talents for destruction. But when we’ve managed to get it right, the benefits have been enormous.
　　When we talk about the ancient world we tend to think of rare and exotic artefacts or the monumental remains of epic architecture; but these are just the empty shells that got left behind when the tide of history turned! The living creatures, the civilisations, that once inhabited these shells were rarely if ever static or stately; they were dynamic, chaotic, and always threatening to spin out of control, because civilisation is based on an improbable idea; that strangers can live and work together in dense urban settings, forging new allegiances that replace the natural ties of family, clan or tribe. It’s an idea we’re still coming to terms with today, but one of the best ways to understand the challenges that are involved is to look at how our ancestors tackled them the first time around.
　　From ancient Iraq to Imperial Rome, Ancient Worlds examines how our ancestors struggled with the levers of religion and politics, art and culture, war and diplomacy, technology and trade in order to keep the complex machinery of their civilisations turning over. Their insights and blind-spots, their breakthroughs and dead ends, their triumphs and disasters are the milestones on the long and winding road that leads directly from their ancient to our modern world.

　　在这部传记纪录片中，美国职业篮球联赛总冠军数量最多的球员兼民权运动领袖比尔·拉塞尔在球场内外均创下传奇功勋。

　　这部纪录片改编自阿伦·布莱格曼博士的书籍，探索了埃及亿万富翁兼以色列间谍阿什拉夫·马尔万的人生及其神秘死亡